Tag Archives: Jean Janzen

Crossings and Other Poems, by Jean Janzen

Jean Janzen author photo

CROSSINGS

The great gray whales are training their young
for the long trek north. I watch their majestic rise,
the plunge, the rise again toward storms
and darkened bays where killer whales wait.

And still they dive and blow, spumes lifting.
This balcony overlooks a rocky shore

where a thousand years of surf have carved
sandstone into a gallery of curves and shapes—

a human family leaning into each other,
a mother without arms, her child submerged.

The sea so wide and my small boat of words.
What are the lines between the lines?

Relinquishment over and over, a loose raft
on which I float. Nothing to hold, not the silver

spilling from the moon, nor these slippery words,
the vowels “oh” and “ah” becoming mist.

BECOMING A WORD

I’m passing through a phase: gradually I’m changing to a word. —Stanley Kunitz

Word, that single, distinct element
of speech, my name already etched

into marble where sun, rain, and a tree
are its only companions, until the tree

falls and is shredded and boiled,
then pressed into paper to be marked

by a hand holding a pen, writing tree.

THE UNFOLDING

In the end let me be found,
not in the frenzy of the hive,
but curled around the stamen
of a full-blown rose.

THE SIMPLE LIFE

I am looking for the first word,
the one which will begin to explain
how simple life once was.
I tried “snow” but it got lost
in the layers as it fell all night.
Then “bread” but I can’t remember
where my father purchased flour
or how you feed seven children
on a country schoolteacher’s pay.
And did we each have a chair
at the table, and who sang which song?

All we needed was some wood
or coal to keep warm. Someone
borrowed an axe, or was lowered
into a mine. All he needed
was a pick and bucket, and a lamp
with oil, which someone cut out
of a whale, which someone
dragged from the sea.

And a wool blanket spun and woven
from a summer of grazing sheep.
The mechanized loom worked
on steam which required another
fire, and children rubbed sleep
from their eyes so their hands
wouldn’t get caught in the gears.
It was as simple as that.

Poems excerpted from Jean Janzen, Crossings: New and Selected Poems (Cascadia/DreamSeeker Books, 2026) and selected as favorites by Crossings editors Jeff Gundy, Julia Spicher Kasdorf, and Hope Nisly

—Jean Janzen, a poet living in Fresno, California, is the author of six previous collections of poetry who has received a National Endowment for the Arts fellowship and other awards. A graduate of Fresno Pacific University and California State University of Fresno, she has taught at Fresno Pacific and Eastern Mennonite University. Janzen’s most recent book is Crossings: New and Selected Poems (2026). She is also author of What the Body Knows (DreamSeeker Books/Cascadia, 2015). These poems are cross-posted on Substack. 

Country Night, by Jean Janzen

Lying awake I remember branches
scraping the night window, I, a child
away from my crowded home to my
cousin’s spacious country rooms,
she and I in separate beds.

How to hold the memory of my heart
racing in the dark, the small body
curled, the wind wild? How to hold
that child until dawn ignites the leaf
with its tiny separate rooms,
the stem clinging?

—Jean Janzen, a poet living in Fresno, California, is the author of six previous collections of poetry who has received a National Endowment for the Arts fellowship and other awards. A graduate of Fresno Pacific University and California State University of Fresno, she has taught at Fresno Pacific and Eastern Mennonite University. Janzen is author of What the Body Knows (DreamSeeker Books/Cascadia, 2015).

Losing Seth, Part 1: Forever, by Larry Dunn

KinsgviewCoGuestPostSethLarryDunn

August 1, 2011. The axis of our world shifted that day, our lives forever changed in unimaginable ways. Two months shy of his twenty-first birthday, our oldest son Seth died in a tragic accident while we were together on family vacation.

As an academic, I write. It is one of the things we academics do. How such writing relates to our personal lives, however, particularly in relation to difficult matters, is seldom discussed. Though I have read much about grief, I did not set out to write about it. Yet somewhere along the way I came to realize that I had written a great deal: an obituary and eulogy, some reflections for a memorial gathering, a brief baccalaureate address, emails to colleagues, a devotional, an invited chapter—all related to Seth.

My many years of education have trained me to turn almost anything into an academic exercise, to be philosophical. To the extent that academics has to do with learning, I’d have to say that the experience of losing our son has been a miserable failure. I have learned so much more from Seth’s life than his death. Perhaps that’s because I have experienced grief not primarily as an intellectual process but as an emotional and spiritual one. So I offer here an awkward attempt by the head to make sense of the aching of the heart and soul.

I am struck by how much August 1, 2011, has become the point in time around which everything now revolves. First one week gone by and then another; a memorial service in between that now seems like a distant dream. September 1. October 1. Birthdays and holidays. A year and then two, and now, unbelievably, four years without him. Without hearing his voice. Without feeling his embrace. “Hey Pop!” he used to say, and I would reach up to hug him as he towered above me.

Seth Play photo

This marking of time brings past, present, and future together, each point a painful reminder of life without him. A text message that remains on my cell phone from that morning . . . just hours before. A photo of Seth at work . . . one month before. An event remembered from when our three boys were small, at the time just another moment in our life together . . . now marked as ten years before.

Time before that day becomes a countdown of the time remaining in his life. The innocence of not knowing what could not be known can now be seen in everything we did before that day, seen in our eyes in pictures even before he was born. Innocence no more.

Grief involves not only what was but what might have been and now will never be. Seth was in the prime of his life, on the cusp of his senior college year, ready to launch into the world, full of potential for so much good. Now graduations and weddings and baby showers become reminders of what we and others will miss out on in a future without Seth.

Some recognize the difficulty involved with joining in the celebration of these events and the sadness they can bring on, understanding this aspect of our loss. A few, mostly those who have suffered a loss of their own, gently enter into grief with us. But much of the painful inner reality of our experience goes unrecognized by others, or so it seems. As C. S. Lewis noted following the death of his wife Joy, “Part of every misery is, so to speak, the misery’s shadow or reflection: the fact that you don’t merely suffer but have to keep on thinking about the fact that you suffer. I not only live each endless day in grief, but live each day thinking about living each day in grief.”

How long will this grieving go on? How much more time will I need? Will there continue to be moments and days that feel like that first moment, that first day? Why does the pain return with such force when weeks or even months go by that seem to reflect some healing? Why does the head keep pressing for progress, the gaining of insight, the making of sense, the redemption of death’s injustice, when my heart mends ever so slowly? When will sorrow be replaced by gratitude? Where is God in all of this?

Perhaps anticipating these questions, playwright Margaret Edson, in whose play “Wit” Seth had performed at Bethel College, put it this way upon learning of his death: “What doesn’t crumble? Our love. Where do we keep it? Safe inside. How long does it last? Forever.” Our good friend Jean Janzen echoed these thoughts in a beautiful poem she wrote for Seth (used by permission):

Original Blessing

Child in the burning,
stopped heart in August,
this valley ripe
with peaches and heat.
What are the words
of original blessing?

Child become ashes,
the heaving and sobbing.
Body from body
into the blaze
of original blessing.

Child in the wind,
its current now lifting
into the arms
of original blessing.
Arms of the Maker,
arms of First Lover,
“Mine” the first word,
and the second, “Forever.”

A space filled with grief and sorrow, suffering and pain, mystery and questions with no answers is not an easy place to dwell. And yet I must enter into to get out of, go through to get past. I don’t seek healing that is free of tears and sorrow since my wound reflects some measure of my love for Seth and his worth to his family and friends and mother and brothers and me.

For now there seems no other way. This is not hopelessness, but the reality of his absence and my grief. It is what makes possible my solidarity with others who endure suffering and loss. Including God.

—Larry A. Dunn, Fresno, California, is Associate Professor at the Center for Peacemaking and Conflict Studies, Fresno Pacific University. He has worked for nearly 30 years as a mediator, trainer, consultant and educator in conflict resolution and is author of Discovering Forgiveness: Pathways Through Injury, Apology, and Healing. He and his spouse Susan are parents of three boys, Seth, Eli, and Isaac. Larry welcomes interactions with this post, whether through the comments section or to his e-mail at larry.dunn@fresno.edu.

 

What the Body Knows, by Jean Janzen

KingsviewCoGuestPostJeanJanzenPhotoLeft

What the Body Knows

Maybe it’s the ocean’s rhythmic tug
that helps me sleep, my body’s own
surge remembering its deepest pulse.

Think of those Celtic monks who
scaled the slippery rocks carrying
vellum and inks while the sea broke

and battered beneath them. High
in a crevice, a hidden stone hut
with cot and candle. The scribe

dips and swirls his quill to preserve
the story—Luke’s genealogy,
name after name, letters shaped

like birds in every color, a flight
of messengers released into history.
Each word unfurls the promise,

like Gabriel kneeling. The body
knows that wings, like waves,
can break through walls and enter,

that the secret of the story
is love, that even as we sleep,
its tides carry us in a wild safety.

—Jean Janzen, a poet living in Fresno, California, is the author of six previous collections of poetry who has received a National Endowment for the Arts fellowship and other awards. A graduate of Fresno Pacific University and California State University of Fresno, she has taught at Fresno Pacific and Eastern Mennonite University. Janzen is author of What the Body Knows, from which this poem is excerpted (DreamSeeker Books/Cascadia, 2015, used by permission of publisher and author).

Editor’s note: Kingsview & Co guest posts will often not be intended to integrate directly with the flow of prior and future posts, and certainly this haunting poem can stand alone in its telling of the story’s secret. However, it’s also offered here in awareness that it joins the flow of “Blogging Toward Kansas City 2015” and the yearnings of so many of us, amid tumult in church and culture, to experience “that the secret of the story / is love, that even as we sleep, / its tides carry us in a wild safety.”